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Portrait painting has been a passion of mine for as lengthy as I can recall. I’ve been continually doing the job to get improved at it since my early 20s, when I was a college student in Florence, Italy. I researched standard approaches of drawing and painting that had been passed down to my teachers from authentic masters of the 19th century. Today, I carry on to hone these capabilities as a drawing and portray teacher.
Two Strategies to Making Skills
Talent-setting up is a intricate endeavor for artists. Initial, we need to have to have the correct theories and then follow them by way of with the ideal workout routines. I’ve found there are two approaches finest suited to the exercise of painting:
- More time studies built above the program of a lot of days, weeks, or from time to time even months
- alla prima studies is a relatively low-risk way to build your skills. Whether the work ends up fit for framing or gets tossed into the bin, you’ll have spent a day seeing and observing the light and your subject directly from life. The results of your decisions and color choices will be right there on the surface, with no hazy glazes or layers of fiddling standing in the way. For this reason, an alla prima study is one the best exercises for students of painting who truly want to see improvement in their work.
Get the Support You Need
You’ll need a variety of materials for alla prima studies, but the support is the most important. You’ll want to work on a surface that’s quite absorbent—one that allows you to lay down clear brushstrokes that show a pure and opaque color with the first application.
Stonehenge Oil Paper by Legion is far and away my preference. The paper’s absorbent surface allows for the subtle blending of brushstrokes, making it perfectly suited to an alla prima approach. A list of other recommended supplies is below.
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